JINAN, Jan. 2 (Xinhua) -- Chen Genquan lays down the rasp, removes the sawdust, and narrows his eyes to check a wooden chair which has regained its original glory.
Chen, 65, is one of the cultural relics repairers in the city of Qufu, the birthplace of Confucius in east China's Shandong province.
Confucius, who lived between 551 BC and 479 BC, was an educator and philosopher. He founded the school of Confucianism that has deeply influenced later Chinese generations.
"The key to repairing wooden artifacts lies in keeping their original appearance unchanged," Chen said. He has worked in a cultural relics repair team for over 35 years.
The team is in charge of restoring ancient wooden buildings and artifacts for the Confucius Temple, the Con Family Mansion and the Confucius Cemetery, which are a UNESCO World Heritage site and one of the three largest ancient building complexes in China.
UNPARALLELED CRAFTSMANSHIP
The sun rises on the same tidy yard and shines onto the three roofs of the 1,000-year-old Kuiwen Hall, a major building which used to be a library in the Confucius Temple.
In 1985, the most onerous task fell on the team's shoulder to fix the structural problems of the hall. This was the first large-scale restoration of the Kuiwen Hall since the Ming Dynasty (1368-1644).
During the restoration, most of the wooden components, especially those of the roof ridges, were repaired or replaced.
"Cultural relics are history within reach. As a repairer, I'm responsible for preserving the heritage," Chen said, adding he worked nine hours a day for two years to complete his part of the work.
Regular checks and restoration of the ancient wooden buildings are conducted twice a year by Chen's team to deal with problems such as the humidity-caused erosion. Often, Chen and his colleagues have to go through dozens of historical books and materials before the restoration work starts.
In the repair team's workshop, a stone's throw away from the Confucius Temple, a dozen experienced relic repairers are busy measuring, sawing and sanding, with woodworking tools and wood boards scattered everywhere.
Chen's desk is located in the corner of the workshop, on which books related to ancient building renovation are piled.
He could not afford to buy books and used to copy the books he borrowed in the past. In 1987, he bought his first book for six yuan -- three days worth of wages.
Craftsmen like Chen are in great demand in the industry. Chen and the 50 other members of his team are often invited to other places of the country for knowledge sharing on the wooden relics restoration.
"Their reputation not only comes from their techniques and experience but also people's respect for their craftsmanship," said Kong Deming, deputy director of Qufu's ancient building project management bureau.
TALENT SHORTAGE
Chen has seen many people come and go.
In the 1990s, many colleagues left the team. They built antique wooden building in private companies for higher salaries.
"I never thought about leaving. Cultural relics restoration has unrivaled meaning and value for me," Chen said.
A survey showed that more than half of the cultural relics in China are suffering from erosion of varying degrees. Nearly 20 million relics are in urgent need of professional restoration.
However, China's cultural relics restoration industry faces an aging problem. The youngest member of Chen's team is 50 years old.
Kong said repairing relics has become less respectable as machines can do a lot of the work, and young people are pushed away due to the arduous working conditions and a long training period.
Craftsmen like Chen who handle immovable cultural heritage have to work outside in the sizzling summer or biting cold winter.
"Getting hurt is an inevitable part of our daily work," Chen said, showing a scar on his right leg. "Craftsmanship has nothing to do with money, and it has become a belief driving my teammates and I forward. I hope more talented young people will join and understand us."
China has already stepped up its efforts to solve the problem.
In October, the country's first national-level competition on cultural relics restoration was held in Qufu to highlight the importance of craftsmanship. A total of 111 repairers participated in the contest.
Li Yongge, former director of the Palace Museum's ancient building repair center, said competitions like this could help China find more skilled workers in the relics repairing field.
"Relic repairers deserve more respects in our society. They save the cultural heritage from the ravages of time and make ancient culture and history come alive," Kong said.
